The multi faceted producer Felipe Gordon returns to Clone’s Royal Oak imprint with the six-track EP ‘Profundo’.
Colombian producer, multi-instrumentalist, and DJ Felipe Gordon has been steadily carving out a niche in the global house scene with his distinctive fusion of jazz, funk, and classic house elements. Based in Bogotá, Gordon’s prolific output has graced esteemed labels such as Shall Not Fade, Heist Recordings, and Razor-N-Tape, showcasing his versatility and deep musicality.
Notable releases include the Natural Born Climber EP on Shall Not Fade, where Gordon’s jazz-inflected grooves shine through tracks like “The Love” and “Da Ghent Life”. Additionally, his collaboration with Belgian artist Krewcial on The Ride EP further exemplifies his ability to blend intricate rhythms with soulful melodies.
Returning to Clone’s Royal Oak imprint, Gordon presents Profundo, a six-track journey that stretches the boundaries of contemporary deep house. Known for his prolific output and jazz-infused grooves, Gordon delivers one of his most expansive statements to date, blending melodic warmth, intricate musicianship, and club-ready sensibilities.
Opening with the title track “Profundo,” Gordon sets the tone with a rolling, soul-laced number featuring playful keys, dusty percussion, and moody atmospherics. It’s a confident opener that showcases his signature swing.
“Hold On” dials up the funk with squelchy synth bass and twinkling piano flourishes over shuffled drums, demonstrating Gordon’s skill in crafting grooves that evolve organically. It’s the kind of track that seamlessly integrates into a set, becoming a standout moment as it unfolds.
On “I Don’t Know Why,” Felipe steps behind the mic, adding his own vocals to a slick, late-night affair. It’s slower, more introspective, and drenched in mood—reminiscent of artists like Moodymann or early Motor City Drum Ensemble. The vocal adds a layer of vulnerability that deepens the emotional impact without feeling forced.
“What We Used To Be” ventures into spacey territory, combining loose-limbed house rhythms with sci-fi synths and glimmering arpeggios. There’s a subtle techno undercurrent here, nodding to the intergalactic textures of classic Detroit while maintaining Gordon’s unmistakable human touch.
“Takes Time” returns to jazz-house mode—a woozy, ultra-deep cut with warm Rhodes chords, upright bass licks, and hypnotic drum programming. It’s one for the heads: soulful, understated, and perfect for a sunrise session.
Closing track “Overwhelmed” flips the script completely, leaning into gritty analogue textures and off-kilter beats. It’s the most abrasive moment on the EP, almost like Gordon tearing down the smooth façade to reveal raw circuitry underneath.Think broken machines jamming in a smoky Bogotá basement—beautiful chaos.
With Profundo, Felipe Gordon continues to solidify his position as one of the most vital names in house music today. It’s a rich, genre-blurring release that connects the dots between deep house, jazz, funk, and techno without ever feeling overthought. Whether you’re locked into a late-night session or looking to surprise a dancefloor, this one delivers.
Buy/download Felipe Gordon’s ‘Profundo’ EP here.
